consisted of harmonizing a melody, for the second year four-part free counterpoint, and for third year the composition of a four-part fugue for string quartet. ... to enter the second year of the course and that he had attempted the counterpoint question on the examination paper. ... in four-part vocal counterpoint and to a#39;force him to leave [sic] me into the 2nd classa#39;.5 This strategy produced the desired result, ... Ruth Fleischmann), FP 5 Aloys Fleischmann to his parents (in English), 28 Sept.
|Author||:||Séamas De Barra|
|Publisher||:||Field Day Publications - 2006|