One of the most widely recognized and controversial artists of the 20th century, Salvador DalAs was also an avant-garde filmmaker, collaborating with such giants as Luis BuApuel, Walt Disney, and Alfred Hitchcock. Influenced by the Marx Brothers, Buster Keaton, and Stanley Kubrick, DalAs used the cinema to bring the qdream subjectsq of his paintings to life, providing the groundwork for revolutionary forays into television, video, photography, and holography. From a moviegoing experience that would incorporate all five senses to the tale of a womanas hapless love affair with a wheelbarrow, DalAsas hallucinatory vision never fails to leave its indelible mark, while his writings continue to be relevant to discourses surrounding film and surrealism.On Dali, Mathieu and Pollocka#39;s use of film and photography to disseminate a persona, see Frederick Gross, a#39;Mathieu Paints a Picturea#39;, PART: Journal of the CUNY PhD Program in Art History, 2002, City University of New York, 12 Septemberanbsp;...
|Title||:||Dalí, Surrealism and Cinema|
|Publisher||:||Oldcastle Books - 2010-10-21|