Any landscape has an unseen component: a subjective component of experience, memory, and narrative which people familiar with the place understand to be an integral part of its geography but which outsiders may not suspect the existence ofaunless they listen and read carefully. This invisible landscape is make visible though stories, and these stories are the focus of this engrossing book.Traveling across the invisible landscape in which we imaginatively dwell, Kent Rydenahimself a most careful listener and readeraasks the following questions. What categories of meaning do we read into our surroundings? What forms of expression serve as the most reliable maps to understanding those meanings? Our sense of any place, he argues, consists of a deeply ingrained experiential knowledge of its physical makeup; an awareness of its communal and personal history; a sense of our identity as being inextricably bound up with its events and ways of life; and an emotional reaction, positive or negative, to its meanings and memories.Ryden demonstrates that both folk and literary narratives about place bear a striking thematic and stylistic resemblance. Accordingly, Mapping the Invisible Landscape examines both kinds of narratives. For his oral materials, Ryden provides an in-depth analysis of narratives collected in the Coeur d'Alene mining district in the Idaho panhandle; for his consideration of written works, he explores the aessay of place, a the personal essay which takes as its subject a particular place and a writer's relationship to that place.Drawing on methods and materials from geography, folklore, and literature, Mapping the Invisible Landscape offers a broadly interdisciplinary analysis of the way we situate ourselves imaginatively in the landscape, the way we inscribe its surface with stories. Written in an extremely engaging style, this book will lead its readers to an awareness of the vital role that a sense of place plays in the formation of local cultures, to an understanding of the many-layered ways in which place interacts with individual lives, and to renewed appreciation of the places in their own lives and landscapes.The insistent presence of this mind is central to the essay, for writers as well as for readers: as Carl H. Klaus points out in his survey and ... 11 The essay, then, is in essence a form of personal narrative: it reveals an individual mind at work, telling us about some of the striking ... of one mind, then, aquot;The essayista#39;s truths are a#39;for mea#39; and a#39;for now, a#39; aquot; in the words of critic Graham Good, aquot;personal and provisional.
|Title||:||Mapping the Invisible Landscape|
|Author||:||Kent C. Ryden|
|Publisher||:||University of Iowa Press - 1993-01-01|