No Country

No Country

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Sonali Perera expands the discourse on working-class fiction by considering a range of international, noncanonical texts, identifying textual, political, and historical linkages overlooked by Eurocentric scholarship. Her readings connect the literary radicalism of the 1930s to the feminist recovery projects of the 1970s, and the anticolonial and postcolonial fiction of the 1960s to todaya€™s counterglobalist struggles, building a new portrait of the twentieth centurya€™s global economy and the experiences of the working class within it. Perera considers novels by the Indian anticolonial writer Mulk Raj Anand; the American proletarian writer Tillie Olsen; Sri Lankan Tamil/Black British writer and political journalist Ambalavaner Sivanandan; Indian writer and bonded-labor activist Mahasweta Devi; South Africana€“born Botswanan Bessie Head; and the fiction and poetry published under the collective signature Dabindu, a group of free-trade-zone garment factory workers and feminist activists in contemporary Sri Lanka. Upsetting the North-South divide, Perera creates a new genealogy of working-class writing as world literature and transforms the ideological underpinnings casting literature as cultural practice.... which simply extolled the virtues of their obedience and manual dexterity. For example, in poems such as a€œApatada nidahasak nathaa€ (For us, there is no freedom)28 they write themselves as set apart from the declarations of independenceanbsp;...

Title:No Country
Author:Sonali Perera
Publisher:Columbia University Press - 2014-01-28


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