The fourteen chapters in this anthology feature original analyses of contemporary German-language literary texts, films, political cartoons, cabaret, and other types of performance. The artworks display a wide spectrum of humor modes, such as irony, satire, the grotesque, Jewish humor, and slapstick, as responses to unification with the accompanying euphoria, but also alienation and dislocation. Kerstin Henselas LAcrchenau, Christoph Heinas Landnahme, and vignette collections by Jakob Hein (Antrag auf stAcndige Ausreise und andere Mythen der DDR) and Wladimir Kaminer (Es gab keinen Sex im Sozialismus) are interpreted as examples of the grotesque. The popular films Lola rennt, Sonnenallee, Herr Lehmann, NVA, Alles auf Zucker!, and Mein FA¼hreraDie wirklich wahrste Wahrheit A¼ber Adolf Hitler are reexamined through the lens of traditional and more recent humor or comic book theories. The contributors focus on how each artwork enriches four prominent postwall German cultural trends: post-unification identity reconstruction, VergangenheitsbewAcltigung (including Hitler humor), New German Popular Literature (Christian Krachtas ironic subtexts), and immigrant perspectives (a athird voicea in the East-West binary reflected here pointedly in Eulenspiegel cartoons). To date, no other scholarly work provides as comprehensive an overview of the diverse strategies of humor used in the past two decades in German-speaking countries.King, Mary C. aDigging for Darwin: Bitter Wisdom in The Picture of Dorian Gray and a#39;The Critic as Artist.a#39;a Irish Studies ... Body and Narrative in Contemporary Literatures in German: Herta MA¼ller, Libuse MonikovAi, Kerstin Hensel. Oxford, UK: Clarendon, 2006. Nentwich, Andreas. ... 2010 alt;http://www. newworldexplorersinc.org/FountainofYouth.pdfagt;. Reimann ... Collins English Dictionary. Unabridged 10thanbsp;...
|Title||:||Strategies of Humor in Post-Unification German Literature, Film, and Other Media|
|Publisher||:||Cambridge Scholars Publishing - 2011-01-18|