Hitherto, the academic study of Indian cinema has focused primarily on Bollywood, despite the fact that the Tamil film industry, based in southern India, has overtaken Bollywood in terms of annual output. This book examines critically the cultural and cinematic representations in Tamil cinema. It outlines its history and distinctive characteristics, and proceeds to consider a number of important themes such as gender, religion, class, caste, fandom, cinematic genre, the politics of identity and diaspora. Throughout, the book cogently links the analysis to wider social, political and cultural phenomena in Tamil and Indian society. Overall, it is an exciting and original contribution to an under-studied field, also facilitating a fresh consideration of the existing body of scholarship on Indian cinema.There is no question that the close resemblance today between village life in the Tamil country and the universe of Tamil cinema ... rural actors today seize upon these representations of the village environment as a means of articulating the significance of their own deeds within it. ... had sang of making crop bedsathe incident with which I began this essayaI ran into cultivator Logandurai tending to hisanbsp;...
|Publisher||:||Routledge - 2008-04-03|