qIn this unparalleled study of the forms of Hebrew poetry, preeminent authority Benjamin Harshav examines Hebrew verse during three millennia of changing historical and cultural contexts. He takes us around the world of the Jewish diaspora, comparing the changes in Hebrew verse as it came into contact with the Canaanite, Greek, Arabic, Italian, German, Russian, Yiddish, and English poetic forms. Harshav explores the types and constraints of free rhythms, the meanings of sound patterns, the historical and linguistic frameworks that produced the first accentual iambs in English, German, Russian, and Hebrew, and the first discovery of these iambs in a Yiddish romance written in Venice in 1508/09. In each chapter, the author presents an innovative analytical theory on a particular poetic domain, drawing on his close study of thousands of Hebrew poemsq--Greek poetry: influence of, on German poetry, 271; metric system in, 4; stress in, 157 grid, 82 haiku, 52 h.ataf, 74, ... 186 (see also Index of Hebrew Versification and Yiddish Poetry: Hebrew versification in Italy) line, 47, 265 literary text: basic trait of, ... compared with onomatopoeia, 29; frames of reference of, 24; as imagery aspect of poetry, xii; sound-metaphors, 30; ... 1a13; compared with rhythm, 200a201, 227, 288, 306a 307, 334n32a33; as a construct based, 6; five kinds of, 3a4, 13, anbsp;...
|Title||:||Three Thousand Years of Hebrew Versification|
|Publisher||:||Yale University Press - 2014|