Voices in the Kitchen

Voices in the Kitchen

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a€œLiterally, chilaquiles are a breakfast I grew up eating: fried corn tortillas with tomato-chile sauce. Symbolically, they are the culinary metaphor for how working-class women speak with the seasoning of their food.a€a€”from the Introduction Through the ages and across cultures, women have carved out a domain in which their cooking allowed them to express themselves, strengthen family relationships, and create a world of shared meanings with other women. In Voices in the Kitchen, Meredith E. Abarca features the voices of her mother and several other family members and friends, seated at their kitchen tables, to share the grassroots world view of these working-class Mexican and Mexican American women. In the kitchen, Abarca demonstrates, women assert their own sazA³n (seasoning), not only in their cooking but also in their lives. Through a series of oral histories, or charlas culinarias (culinary chats), the women interviewed address issues of space, sensual knowledge, artistic and narrative expression, and cultural and social change. From her mothera€™s breakfast chilaquiles to the most elaborate traditional dinner, these women share their lives as they share their savory, symbolic, and theoretical meanings of food. The charlas culinarias represent spoken personal narratives, testimonial autobiography, and a form of culinary memoir, one created by the cooks-as-writers who speak from their kitchen space. Abarca then looks at writers-as-cooks to add an additional dimension to the understanding of womena€™s power to define themselves. Voices in the Kitchen joins the extensive culinary research of the last decade in exploring the importance of the knowledge found in the practical, concrete, and temporal aspects of the ordinary practice of everyday cooking.You also have to clean the chimney because with the masa a€” just imagine the mess you end up with! ... 64 An initial reaction after reading this passage might make us wonder why anyone would think fondly of a kitchen where the walls ... Consequently, VAcleza#39;s formal education reached only to second grade because she had to fend for herself working as a nana ... The two dismissing aspects in this phrase are the adverb segun (supposedly) a€” presumed to be true, real, or genuine, anbsp;...

Title:Voices in the Kitchen
Author:Meredith E. Abarca
Publisher:Texas A&M University Press - 2006-03-16


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