Was Huck Black?: Mark Twain and African-American Voices

Was Huck Black?: Mark Twain and African-American Voices

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Published in 1884, Huck Finn has become one of the most widely taught novels in American curricula. But where did Huckleberry Finn come from, and what made it so distinctive? Shelley Fisher Fishkin suggests that in Huckleberry Finn, more than in any other work, Mark Twain let African-American voices, language, and rhetorical traditions play a major role in the creation of his art. In Was Huck Black?, Fishkin combines close readings of published and unpublished writing by Twain with intensive biographical and historical research and insights gleaned from linguistics, literary theory, and folklore to shed new light on the role African-American speech played in the genesis of Huckleberry Finn. Given that books importance in American culture, her analysis illuminates, as well, how the voices of African-Americans have shaped our sense of what is distinctively American about American literature. Fishkin shows that Mark Twain was surrounded, throughout his life, by richly talented African-American speakers whose rhetorical gifts Twain admired candidly and profusely. A black child named Jimmy whom Twain called the most artless, sociable and exhaustless talker I ever came across helped Twain understand the potential of a vernacular narrator in the years before he began writing Huckleberry Finn, and served as a model for the voice with which Twain would transform American literature. A slave named Jerry whom Twain referred to as an impudent and satirical and delightful young black man taught Twain about signifying--satire in an African-American vein--when Twain was a teenager (later Twain would recall that he thought him the greatest man in the United States at the time). Other African-American voices left their mark on Twains imagination as well--but their role in the creation of his art has never been recognized. Was Huck Black? adds a new dimension to current debates over multiculturalism and the canon. American literary historians have told a largely segregated story: white writers come from white literary ancestors, black writers from black ones. The truth is more complicated and more interesting. While African-American culture shaped Huckleberry Finn, that novel, in turn, helped shape African-American writing in the twentieth century. As Ralph Ellison commented in an interview with Fishkin, Twain made it possible for many of us to find our own voices. Was Huck Black? dramatizes the crucial role of black voices in Twains art, and takes the first steps beyond traditional cultural boundaries to unveil an American literary heritage that is infinitely richer and more complex than we had thought.But in the spring of 1992, arguments that were forming in my mind about the genesis of Huckleberry Finn and about Mark ... I began to write an essay on the subject, hoping to appease whatever force in my subconscious was responsible for those pesky three A.M. wakeup calls. ... the social history of efforts to ban Huckleberry Finn from secondary school classrooms in the 1950s and 1980s as a€œ racist.

Title:Was Huck Black?: Mark Twain and African-American Voices
Author:Shelley Fisher Fishkin
Publisher:Oxford University Press - 1994-03-11


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