The courtship and remarriage of a rich widow was a popular motif in early modern comic theatre. Jennifer Panek brings together a wide variety of texts, from ballads and jest-books to sermons and court records, to examine the staple widow of comedy in her cultural context and to examine early modern attitudes to remarriage. She persuasively challenges the critical tendency to see the stereotype of the lusty widow as a tactic to dissuade women from second marriages, arguing instead that it was deployed to enable her suitors to regain their masculinity, under threat from the dominant, wealthier widow. The theatre, as demonstrated by Middleton, Dekker, Beaumont and Fletcher and others, was the prime purveyor of a fantasy in which a young man's sexual mastery of a widow allowed him to seize the economic opportunity she offered.As the structure of the jest-book requires that the trickster must be both continually needy and continually free to practice new tricks, ... the back door.12 Although the drawn-out complications of the main action make its adherence to the jest-book pattern less readily apparent, ... that the audience may be more aware than the tricksters ofjust what it 150 Widows and Suitors in Early Modern English Comedy.
|Title||:||Widows and Suitors in Early Modern English Comedy|
|Publisher||:||Cambridge University Press - 2004-10-14|